Shetland's Viking Fire Festival - Up Helly Aa
All lights are extinguished and the streets are lit only by
the glow from a thousand marching torches. It is a truly awesome
sight. They circle the looming shape of a boat and the sky is
full of flaming arrows arching into the wooden hull. The fire
catches, slowly at first and then, with a rush of sudden flames,
the dragon's head prow of a Viking longship is revealed,
silhouetted in flame, against the sky. A bearded Viking warrior,
brandishing a battle axe, steps forward to stand in front of two
thousand years of history. His name is Jim Coutts and he is
leading Shetlands annual re-enactment of the ancient pagan
festival of Up-Helly-Aa.

The Guizer Jarl and his galley
© Hugh Taylor
Although this is a relatively modern festival it is rooted in
history and ancient Norse mythology. When Christianity came to
Shetland, 800 years of Norse culture was not easily submerged.
The pagan festival of Yule became Christmas but on the 24th
night after, Shetlanders reverted to their pagan past and
celebrated Uphalliday - the ending of the holidays. When the
Gregorian calendar was adopted in 1751 Shetland continued to
celebrate Christmas on 6th January and Up-Helly-Aa at the end of
January. Norsemen had traditionally celebrated the end of
Yuletide and the end of winter with feasting, drinking and
ritual fires. The early celebrations consisted of guizers
dragging burning tar barrels through the streets of Lerwick to a
bonfire, accompanied by rousing songs, music and drinking. This
inevitably led to disorder and the eventual banning of tar
barrelling in the 1870s. It re-emerged in 1881 when the first
torch light procession took place. Fire had always played an
important role in the funeral rites of viking chieftains; the
body would be ceremoniously placed in a longship which was then
set alight and cast adrift. This tradition was gradually
incorporated into the Up-Helly-Aa celebrations. The guizers took
to wearing viking dress and were led by the Jarl or Earl to the
ritual burning of the longship. Following the burning the
guizers would tour houses in Lerwick singing, dancing and
feasting.
Nowadays, Up-Helly-Aa starts in the early hours of the
morning when a ten foot high, elaborately decorated proclamation
is placed at the Market Cross. This contains lots of local
humour and gossip for the year. At 10.00 am the public get their
first view of the galley as the Jarl squad escort it through the
town to the harbour where it remains on display for the rest of
the day. The Jarl Squad then march through the narrow
flag-stoned streets to the Market Cross, then on to the
sandstone turreted town hall where the Raven Banner of the
Guizer Jarl is flying and the Jarl is granted the freedom of
Lerwick for the day.
It's not until darkness falls and every light is switched off
that the main celebrations begin. By 7 o'clock 1000 men with
unlit torches are lining both sides of the road below the Town
Hall. The guizers are assembled in forty seven squads in fancy
dress. One squad, inspired by the film Braveheart, sport kilts
and ubiquitous blue and white face paints. Amongst them is Hagar
the Handsome, a man with a red beard, Viking helmet, sword and a
shield emblazoned with the town crest of the Ayrshire coastal
town of Largs. Although he has just arrived from the mainland,
he has lived previously in Lerwick - there's a five year
residency qualification to march at Up-Helly-Aa. Bang on 7.30pm
a signal rocket is fired over the town hall. Few sights can
compare with the river of fire flowing down the dark street as
the torches are lit and the Jarl squad drags the doomed galley,
carrying the Jarl like a long-dead viking ruler in his funeral
procession. The band strikes up and the noisy raucous progress
of music and singing snakes through the town until, half an hour
later, it comes to the burning site. Lerwick's Norse history is
reflected in the names of the streets along the route. King
Harald, Prince Alfred, St Olaf and finally King Erik street
where the guizers circle the galley in a huge swirling Catherine
Wheel of fire.
The Jarl leaves the ship as the guizers sing The Galley Song, a
bugle sounds and the torches are hurled into the galley. As it
burns the crowds sing The Norseman's Home to conclude the
ceremony.
The whole town of Lerwick, including returned exiles and
tourists, is gathered around the burning ship until gradually
they drift off to the parties which will continue until
daybreak.
Most of the parties are private and invitations are as scarce as
hens' teeth but for visitors there are a couple of halls where
tickets are on sale to the public. During the night each squad
will visit every hall, perform a sketch, dance with the ladies
and have a few refreshments. Maurice Mullay and his squad
appear, dressed as pink fairies, and do a hilarious version of
the Dance of the Sugar Plum Fairy from Tsaichovsky's Nutcracker.
By 8.30am it's all over, everyone goes home to bed, and for the
rest of the day Lerwick's a ghost town. Fortunately it's a
public holiday but by the evening a few hardy souls are back out
dancing at The Guizers Hop.
As soon as one festival ends preparations start for the next.
Jarl squad uniforms take a full year to make and use 19,000
rivets. Squad members become tailors, metalworkers, blacksmiths,
joiners and armourers as everything, including the crossbows for
the Jarl's bodyguard, is produced in the squad shed. In the
Galley shed work doesn't start in earnest until October when the
builders, led by Brian Hunter, spend two nights a week preparing
the ornately decorated longship. Great attention is paid to
detail right down to the teeth for the dragons head.
The design, a 30 foot waterline model built in the traditional
Shetland style, has changed little since 1949. In the final
weeks the Torch squad convert several hundredweights of timber,
sacking and cement into the torches which they then steep in
paraffin.
On his way home The Jarl stops at the burning site to survey the
smouldering remains of his longship. Already his successor is
looking to the year ahead and soon the preparations for next
year's festival will begin. As a member of the Up-Helly-Aa
Committee, he’s been preparing, and saving, to be the Guizer
Jarl for fifteen years. Now it's over, but the exhilaration of
being in the galley at the head of the procession is a memory
that will remain with him for the rest of his life.
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